Category Archives: You Don’t Always Need Magic’

(Rehearsal Logs) 22nd April 2015 (Wednesday) – Working, working

Today was an important day. It was the day of Background Work. Isha and I had kept today – Wednesday, the 22nd of April – for this reason itself. No rehearsals, no practices were scheduled. Today, we were going to do the core work – and we planned to complete it.

There was a lot to be done. Several unmade props written in red ink on our list had begun to incessantly shriek at us from the paper; our ginormous and ridiculously detailed list of costume ideas wanted verification; 3-4 lengthy word documents had started to ask if they were ever going to be written; banners, important drawings and three different stage set ups for 8 scenes did not seem to be on paper yet; the lights and sounds were waiting to be explained to the kind volunteer moms whom we had recently roped into the production process.

Did I mention that there was a lot to be done?

But we were not worried. We knew that we were capable to doing all of it. Although our previous productions had all stretched for a minimum of 2 months (which is a lot of time to get things done properly), we knew that where there is a will, there is a way.

And there was no shortage of will.

Isha came over at 12:30 in the afternoon, and we got down to work immediately. While she worked on the stage set-up diagrams, I worked on the scarecrow’s costume. I had asked our kind household helper (Manju-akaa) to gather some hay from her village the previous day. She had gotten a big bag back for us to use. I stuck and sewed and fixed the hay onto the straw hat, the striped button down and the patched pants (the “patches” on the pants were painted on by us). After that I carved out an axe from a thick thermocol sheet and painted it. We broke for a quick lunch and then started the tedious work of recording and logging. The footage we had of previous practices helped us tremendously. It’s interesting – we found it hard to recall what we had done barely a week ago. We had to use references and little memories to piece our recollections together. It can be inferred from that 1 and ½ hour sitting that we had come a long way from the situation a week ago. Truly, work was happening at the speed of light. We had accomplished a lot!

At 3:30pm, we crossed the big task of logging off our list. We then split the work again: I worked on the documents while Isha made detailed and seft explanatory guides for the volunteer moms and made hard copies of our important lists – after all, you can’t entirely rely on soft copies, now can you? I then finished off a couple more costumes before we left for a few houses – Meera aunty’s house to explain the light system, Ganeev’s house for an individual practice, and Rashi’s house for checking out some props.

At 6pm, we rechecked the massive list and with great joy (and a tad bit of relief) crossed out a bunch of things. Ah, the lists had grown so, so much smaller. What was left in most of them was now only what had to be done on the days of the shows.

The goal for today had been reached! And another super productive day had come to an end. Tomorrow’s schedule was exciting and we couldn’t wait to see what the day had in store for RIV- but more about that tomorrow, of course!

(Rehearsal Logs) 21st April 2015 (Tuesday) – Twelve Hours?!

The day began with practice. At 9am sharp, Pranay, the guitarist, and Isha were at my house ready to attend the guitar practice session. At 10am, we were at the clubhouse for scene rehearsals, and at 11:30am, sitting at the laptop designing the flyer, writing emails and putting final touches on the script such as the roll call. It had already been 4 hours of working and practicing before we took a break and ate our lunches at 1pm. We were tired, sure, but were ready to take on the rest of the day. The 1pm lunch break had been strategic: another practice had been scheduled from 2pm to 4pm – but something more exciting was headed our way.

At around 1:30pm we got a call from the SOS Children’s Village in Namma Bengaluru – a 50 year old independent, non-governmental, social development organisation that provides family-based care for parentless or abandoned children in India. They offered a platform for us to showcase our talents and entertain the children there. It meant a Show #3, but we were willing to take up their offer (because it meant that our children would get to perform on an actual stage this time – something they would be delighted about). But it also meant going to see the venue to know what to expect, talking to the people there to convince them of our genuinely, and for that to happen, cancelling practice.

And that hits a soft spot.

I dialled up Isha, and she agreed that cancelling practice was necessary. She called a few of the cast members to inform them while I called Megha and Ganeev. Needless to say, those were some very heartwrenching phone calls. Megha was disappointed– she said, softly, with a sigh and a bit of despondency in her tone, “I had been looking forward to it all day…alright, it’s fine. I get it. It’s for our play, after all!”

Ganeev was another matter. He had cancelled a lunch plan with his family for this. It was no mean matter to cancel this practice. He seemed understanding – he even reassured us that he wouldn’t have wanted to go anyway- but Kavneet aunty? We had assured her that such a thing wouldn’t happen again. It was the breaking of a pact – an understanding.

Unfortunately there was nothing to be done about it. I wrote an email to her, explain the situation, tried calling her several times (but they wouldn’t go through), and with a heavy heart, got into the car with Varun, Isha and my mother for the long journey to SOS Village on Bannerghatta Road. I silently, but feverishly, hoped this trip would be worth it.

It was. We reached, and met Ms. Naglaxmi, the Head of Visitors Department at SOS Village. She was very friendly and after attentively listening to our ideas, storyline and requirements, was very supportive (I think she was impressed, too.) She then took us to The Director of Activities, Mr Vishwanath. He was definitely a lot more intimidating – and very busy. But we are glad to have been able to get time to meet him. I told him the story as animatedly as possible (he either kept interrupting or kept getting interrupted by staff or children) and finally, laid down our proposition. He seemed suitably impressed, but if we thought the job was done, it was not. He began to interrogate us about the play’s message, what could be expected, what guarantee could be given about its entertainment, the language barrier, et cetra. I answered all the questions thrown at us confidently. There was a sudden pause as Mr Vishwanath glanced at his computer screen. I honesty wasn’t sure what he was going to say.

But -“Sounds good. Write your requirements down over here. We’ll see you on Sunday then!”

Success. We provided all the necessary details, and then he called a staff member to escort us to possible places where the shows could be held so that we could finalise on a stage. We went around looking at their community halls and large rooms until we were shown an outdoor theatre. We loved it, it was perfect. If it rained, however, we’d have a slight problem (a portion of the stage was uncovered) but it was good in all other aspects – lighting, sound, space and audience seating area. We then proceeded back to the office where we informed Mr Vishwanath of our decision.

It was time to leave for home; we had an instrumental practice scheduled at 4:30pm. As Mr Vishwanath kindly escorted us out, he smiled and said, “Let’s see what talent you have then!” But the statement didn’t intimidate us – it excited us!

In the car ride back home, we discussed changes that needed to be made in the script to suit our audience; that English was their second language needed to be kept in mind.

We reached at exactly 4:30pm, and though exhausted, felt prepared to ensure productivity at practice. Rashi and Pranay assembled on time. At 5:30pm, practice ceased, and then Isha and I finalized ideas and began costume and prop collection. At 6:30pm, at Rashi’s house while doing work, we realized that due to sudden schedule changes (Rashi’s school timings on the weekends), today was the only day instrument recording could be done. We roped in Pranay, shifted the recording location to Rashi’s house (to ensure complete silence while recording) and began the process. Two hours of recording later, at 8:30pm, we pressed the ‘stop’ button on the final recording and exchanged high fives. Isha and I then hurried to Naisha’s house for a quick costume/ prop search, and at 9pm, we rang the doorbell of my house, carrying lots of things (from skirts and hats to keyboards).

The day had been long. But the day had been amazing. As I sit here and type this, I calculate twelve hours of all work and no play. Twelve hours.

What can I say? It speaks for itself.

(Rehearsal Logs) 20th April 2015 (Monday) – Pushing Ourselves

 The day started at 10am, which was when we left for the costume shop Fantasy Creations in Bellandur. My mother, Ganeev and Isha accompanied me. It was a fruitful trip; Ganeev found a pre-made costume that fit him correctly (we had been searching for a full body suit) and even suitable head gear. We picked out a good witches hat for myself, and, using my height as measurement, managed to pick out a costume for Megha’s character, too. We also found head bands with devil horns on them (they were akin to what we had in mind!) for our minions. We requested for these items to be kept aside for us. The costume ideas were becoming a reality!

At 12pm, we returned home. By now the hot afternoon sun had drained us of energy, and we were yearning to be cooled off. However, we couldn’t relax just yet. We immediately directed our remaining energy to prop collection – we had, two years ago, made 8-10 trees and bushes out of thermocol and paint. They were beautiful and colourful. They were made for the purpose of the play itself, so we had stored them at my grandparents’ house, knowing that when the time for the play came, we could take them out again. Needless to say, it was a dusty job. We were filthy by the time we painstakingly and carefully got the trees down from their perch on top of an old cupboard where they had been collecting dust for two years. But that’s all a part of the fun!

We then discussed the possibility of performing more shows looking at the effort that we all were putting into the production. We decided that it would be a good idea. Our other plays had one show each- despite the sense of finality that the only show provided to us, it was unfortunately almost like a waste of effort. Months of preparation for just one show – it wasn’t fair to the crew either. We didn’t want to repeat this ‘mistake’ (as we considered it) again. We decided that the weekend between the 24th and 27th would be ideal to host more shows – at least one more. We called up our crew and we all agreed that Sunday, the 26th , would be ideal.

We contacted a couple of orphanages right after. All the philanthropists who answered our calls were excited about the idea for the performance, but needed to obtain assent from a couple other people before getting back to us.

After writing and replying to some play-related emails, we went home a 1:30pm. After lunch, the crew met at 2pm in the practice room of the clubhouse, where we rehearsed for an hour. At 3pm, we resumed discussion of play matters and schedule making. It was a one hour long work session. At around 4pm, we decided to stretch our muscles (which had begun to cramp from sitting in front of the laptop and bending over books for so long) by going to Megha’s house to discuss costume developments and practice individually with her for a bit. We then came back home in time for an instrument practice we scheduled with Rashi in which we ran through the whole play a few times with the piano queues. Practice ended at 5:30pm. I had a Bharatnatyum class to attend, so Isha and I decided to meet again at 9pm, which was when we had told Kusum Aunty, who had volunteered to do the make-up and costumes checking, that we would meet her to tell her what kind of make-up we had in mind for each character, etc.

So at 9pm we were at Kusum Aunty’s house, discussing just that. Also, since Pranay had not been able to make it to the evening practice at 4:30pm, we decided to meet up at 9am tomorrow to practice the guitar queues. We finished the detailed discussion at around 9:30pm, and we ceased work for the day.

I wonder what tomorrow has in store for us!

(Rehearsal Logs) 19th April 2015 (Sunday) – The Play Materializes

I woke up with a bit of anticipation. Today had to go well. I never thought about days going well or not before, but today it struck me.

The first full play practice with the instruments was scheduled at 10am.

I hoped it would be a successful one.

For the first time, all 11 of us assembled in the practice room at the same time, ready to rehearse. The practice started by 10:30am; my father brought the keyboard up. We got tables and chairs and shoes to mark the stage size… we were all fresh and ready. The only exception was Meghan, who was feeling slightly ill. We had to take extra care of her. Laptops were set up, and practice got rolling.

We rehearsed twice. The practice wasn’t perfect -yet, I saw it all coming together, and it was brilliant.

The practice allowed our instrumentalists to understand cues and the orders of the scenes. They caught on fast; I’m very proud.

At 12:30pm, practice ceased. We were unusually tired. We quickly went to Rashi’s house to finish off the melody finalization. After that, I retired to bed for a long afternoon nap. At 4pm, I met up with Isha and we discussed the schedule which we were to send to the crew tonight. At 4:30pm we returned home, due to sudden personal developments. At 6pm, though, we were able to meet again. We collected costumes from all houses. Props, too. This time was ideal because the parents of our crew members would be home from work by then. We would visit the houses of our crew and basically spent a good 15-20 minutes at each house collecting whatever they could offer to us to use for the play. At 8pm, we finished the collection for the day.

After dinner, from 11pm-12am (sorry mom), Isha and I talked over the phone to settle the schedule out. Then, I sent it. I also sent a whole bunch of videos and recordings and lyrics to the crew for them to practice. It took a long time, especially since the files had to be uploaded onto DropBox, and from there, onto an email I had to send to myself. From there, I had to rename them and then send them separately to the crew members (depending on what they required). By 12am, I had finished sending about 18-20 emails in total to different people. I had tried to make them as detailed as possible so that there was no scope for ambiguity.

Sure, we couldn’t that much today – but whatever we did symbolised great progress.  I’m proud of us – and the crew!